Bacchantes


The work is a detail reworked  of my installation in  3D.

In Greek mythology, Maenads,  and Bacchantes,in Roman mitology, were the female followers of Dionysus and the most significant members of the Thiasus, the god's retinue. in Roman mythology after the penchant of the equivalent Roman god, Bacchus, to wear a bassaris or fox-skin. Their name literally translates as "raving ones” .Often the maenads were portrayed as inspired by Dionysus into a state of ecstatic frenzy through a combination of dancing and intoxication. During these rites, the maenads would dress in fawn skins and carry a thyrsus, a long stick wrapped in ivy or vine leaves and tipped with a pine cone. They would weave ivy-wreaths around their heads or wear a bull helmet in honor of their god, and often handle or wear snakes.

Balance research


The tension towards a balance has inspired this work. simple circular and triangular loops overlapping, intersecting layers, creating a harmony of volume. The black and white in which whirling flashes of light make you want to silence and listening, after it was eliminated any disturbance

At the beginning was the kaos....


The Chaos, in the primitive sense of the Greek term, is the immensity not measurable and unlimited of the primitive space ( and so the blend and the disorder and the fortuity) in which the kosmos originates, that is the beautiful, good and rational order of the world, which always comes from a messy background. The Chaos is not definitely passed by the construction of an intelligible world and of the shapes, but it still continues to be as the foundation on which also the Kosmos stand.
It could be understood as a creative act of the artist who derives a sense and a aesthetic and meaningful order from the formless matter. This vision of the Greek cosmogony goes straight up to our ages, in which the view of an universe regulated by the relativity alongside the quantum mechanic gives us an universe regulated by the fortuity of the events.

Confusion

Confusion, artwork in black and withe.

It appears with an overlap of identical male faces but seen from different perspectives. It was inspired by the work of Pirandello's "One, no one hundred thousand." A single face, differently seen by the viewer to get to the end in not knowing what his identity.

"For me the creations of Giovanna always remind me of Markus Raetz. Markus Raetz is a Swiss sculptor and conceptual artist. Like Escher he plays with perspective and illusions. Raetz made a sculpture called ‘Nichtpfeife’ (Non-Pipe), winking at the famous ‘Ceci n’ est pas une pipe’ from René Magritte. He also made a YES and NO sculpture and various other works that all have in common that the object you want to see ( a pipe, the word YES and the word NO) only will show itself when you look at it from a specific angle and sometimes also distance."

"3D Art  colored, heterogeneous and communicative.
These are the adjectives that come to mind after having enjoyed her exhibition yesterday at the “The Eye Gallery “.
The colors are a characteristic feature, are not chosen at random, but they have a function of “reinforcing” the communicative aspect."



Visionary space and Overlaps







Visionary space and Overlaps are part of a series of works drawn from my virtual installation. Some sections from the installation images  have been exhibited at 7° Bienal de Gravura do douro in Portugal .

Dynamism, strong contrast, the tension toward a fragmented space and moving are the inspirations for the work.

Lines move simultaneous visions the work is inspired by the works by the futuristic Italian artists as Balla and Boccioni.

The technique used by the construction of the installations in 3D with my original textures. 
The virtual environment provide the opportunity to photograph the work from different angles and perspective.



Saudade



SAUDADE is the desire of something beautiful that by the time you realize you know that is ending. The two dancers are captured in the final moment of their tango. The couple is multiplied in its isolation to prolong indefinitely the time of pleasure and sadness. The physical and emotional tension brings them almost to crushing, but ready to begin again, in uncontrollable obsession.

http://giovannacerise.blogspot.it/2014/11/saudade-at-projecto-nucleo-de.html